White Plains Story, 2013

720p, 29.97fps, 41 minutes and 45 seconds, two channel video installation, projected on a 107″ x 432″ roll of Super White Set paper.

One of the artworks in Paul Clay’s solo show entitled “Sketches and Memories, (synthesized compositions rendered later, upon the artists’ safe return home)”, Part of the Hudson Vally Center for Contemporary Art’s Peekskill Project V, at ArtWestchester’s The Arts Exchange Building, White Plains, NY, 2013.

Through and invitation from Livia Straus, President of HVCCA, and organized by curator Kianga Ellis.

Painters of the Hudson River School traveled to rather remote natural locations where they made sketches, studies and gathered visual memories, but then trekked back to the safety of their homes (and studios) to make the paintings, often combining elements from a variety of different locales into a single synthesized composition. My title for the exhibit is an oblique reference to this practice.

“Sketches and Memories…” is a collection of works addressing the history of Peekskill and White Plains New York, as well as that of the entire Hudson River Valley. The works combine the subjective and personal with larger forces, tracing geology, prehistory, international politics, and global cultural diffusion to tell the story of the region.

Installation Photo:

Video Excerpt (4 minutes, 30 seconds):

Project Description:
The video artwork “White Plains Story” incorporates subjective bits of White Plains history from interviews and personal experiences, and also looks at the connection between White Plains and New York City, told in the form of a cartoon, collage or animated comic book, and a long scrolling text. The two channels are projected onto a 9 foot high by 36 foot wide roll of white paper, scrolled up at both left and right ends to create a 22 foot screen.

One video channel projects scrolling text, like one might see at the end of a feature film, but instead of credits, the text tells the history of the White Plains area. It involves three sections or chapters. The first covers the history and language of the Native American Lenape who lived in the region for thousands of years, and the Wappinger confederacy who interacted with European arrivals mostly from the 1600 to 1800’s, along with the Weckquaesgeek, band who lived in what was to become White Plains. The second section covers the history of the Arts Exchange Building, where ArtsWestchester is based, and the third, the history of what European settlers referred to as “the white plains”, from the first non-native settlement in 1683 right up to the present.

A second video channel also projects three sections. The artists trip from New York City up to White Plains, a sit down interview with Kathleen Reckling, Gallery Director of ArtsWestchester about her work and her life growing up in the area, and a driving tour with local resident David Licata through various neighborhoods of the city. This second channel is in the form of a cartoon, shot entirely on an iPhone with the ToonCamera app, to convert the video into the visual look of cartoons, and then edited and enhanced in Final Cut Pro.

Both channels are projected onto a 107 inch by 36 foot long roll of Super White Set or photo background paper, evoking the notion of pages in books, and comic books in particular, while at the same time suggesting scrolls which might contain histories or panoramic landscapes. It also references the technology of acetate film with the ends curled up, and the giant binder clips which hold it up the paper screen spaced along it like sprocket holes.

The two video channels, running concurrently, one historical text, the other lush colored cartoons telling personal stories, cause the viewer to jump back and forth between competing narratives, past and present, suggesting a continuum of reality about the region, which must be parsed and filtered to make sense of. All of the disperate competing truths coming together to suggest one possible White Plains Story.


Stemming the Tide, 2013

720p, 29.97fps, 6 minute 45 seconds, single channel, silent video work.

Presented in the exhibit “In Kritieke Staat” (In a Critical State), at Het KunstenLab (The Art lab), Deventer, Netherlands.

Curated by Marit Otto & Patrick Mangnus

Project Description:

Created by the artist doing screen captures of going through his own email, and responding to requests to take action on behalf of different causes. The video increases in speed over time suggesting the urgency of countering negative forces in the world, and fades out at the end, with the suggestion that the need to take action is ongoing, and perhaps never-ending. The viewer is left with the task of deciding whether efforts to change the world via electronic action at a distance are vital or hopeless, naive or heroic, or simply a necessary part of everyday life.

Video Excerpt (One minute, silent):