A one hour long, two channel, three screen, dvd video installation. Created through a live video mix performance, it deals with street level architecture, globalization, and the meaning of work, home, and place, and was presented in the group show Une promesse de malheur, curated by Edgar Orlaineta, at GAM – Galería de Arte Mexicano.
Video stills and photo documentation of the installation:
Video Excerpt [4min, 53sec]:
Note: Best watched in High Quality – Click video once to play, then after video begins click the “HQ” icon on the lower right. Video will restart in High Quality.
The first part of the title refers to two cities, New York (NY) and Ciudad de México, Distrito Federal (DF), and the second part translates in English as “going to work, going home.” The piece is created from footage shot in both cities, recorded by the artist and a range of people who work at the Galería de Arte Mexicano, focusing solely on traveling to work and traveling home. The video footage is mixed with satellite photography, maps, and various forms of business and other data, suggesting the socioeconomic as well as geographic connections between the two cities.
As Mexico City grows, working people move further and further into the expanding periphery and one can see the infrastructure of highways and services struggling to keep pace. This same overflow leads some to travel North and there has been a huge new influx of laborers into the New York City area, helping power that city’s economy from the ground up. The energy of this expansion is echoed in the hard driving and rapidly changing “music video style” imagery used in the artwork.
NYDF Concentrates on the activity of going to work and going home, cars honking, drivers cursing, changing radio stations, traffic jams, and an almost comedic sense of being overwhelmed by the journey. Yet despite the “club visuals” style, the piece ends with arriving home and the simple pleasures of children and family. That is, until the epilogue, in which the whole thing starts all over again.
Advertising, shopping, architectural development, corporate media – these are complex cultural processes that are colonizing and overtaking public space. A kind of Global and urban sprawl is creating a hither-to-unimagined world that we now must function in on a daily basis. This encroachment endangers the creative environment needed by every individual. The urban street-scape is being converted more and more to a site of corporate bombardment and endless counterproductive transport, rather than community interaction.
NYDF represents an attempt to look at what we have made around us, to wake up to our own participation, and, at the same time, to honor the beauty and immediacy of individual lived experience in the present moment.
Contributors to the project: Lourdes Marroquín Hernández Edgar Orlaineta Mariana Pérez Amor Faustino Serna Nuñez.